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‘Our maa too’

Women in Kolkata’s red light district draw strength from, and celebrate, the Mother Goddess’s feminine power during the Navaratri..


"The Goddess is feminine. Who better to fight for our rights? She is powerful and has the ability to conquer even the mightiest of demons."


Arunangsu Roy Chowdhury

Strength in the making: An idol maker gives finishing touches to a Durga image ahead of the Puja festival in Kolkata.

Soma Mitra

During Navaratri, the Goddess Durga is on her annual sojourn to her earthly abode. For Bengalis, her arrival brings joy and festivities. It’s no different for the 2,000-odd sex workers of Sonagachi, Kolkata’s red light district. To them, the Goddess is truly a source of power. They believe she provides them with the strength to fight life’s daily battles and survive. The puja pandal (a temporary structure where the rituals are held) of the Sonagachi Sarbojani Durgotsav is small, but for the sex workers living here it represents their determination to rise above social taboos and find an identity.

“For years, idol makers have been coming to us to collect mud, which is then mixed with clay to make the idols of the Goddess and her children. They do this in the belief that every man who enters our homes leaves all his purity and virtues behind. So the mud here is considered pure and virtuous. We see this tradition as a way of humiliating us by giving us a bad name in the name of the Goddess,” says Bharati De, 55, a senior sex worker.

To counteract this, the sex workers decided to have their own community puja. “The Goddess is feminine. Who better to fight for our rights? She is powerful and has the ability to conquer even the mightiest of demons. We felt that the Goddess herself should be our way out from the humiliation perpetrated on us, year after year, in her name. We have now made her our own,” says Swapan Gayen, 35, another sex worker. “Despite opposition from the morality brigade, we finally started our own puja a couple of years ago. We imbibe the Goddess’s strength to continue our fight for our rights. She does not differentiate amongst her devotees, so why should we allow mere mortals to separate us from her,” asks Swapan defiantly.

Eminent Odissi danseuse Sanchita Bhattacharya, whose dance-drama ‘Nav Durga’ depicting the nine forms of the Goddess during the nine days of Navaratri has won world acclaim, puts it this way, “My presentation spreads the message for peace and harmony, but the Goddess means different things to different women. For the downtrodden, Durga is often a great source of spiritual and mental strength. It’s a sort of osmosis. They pray to her and seem to absorb her power. In many cases, the Goddess inspires the women to rise and fight, even attack and destroy their subjugators.”

Celebrating femininity

Bharati has always been a devotee of Goddess Durga. Despite her dire circumstances she managed to educate her two sons. “The Goddess is benevolent, but protective of her sons, Ganesh and Karthik. I have tried to remember this as I strove to bring up my children. Today, both my sons are engineers working in reputed companies. They are leading good, clean lives due to the blessings of the Mother,” she says. Her sons, on their part, can never forget what their mother did for them. To them, she is the true Durga.

According to noted Bengali writer Nabanita Deb Sen, while in the rest of India the Navaratri season incorporates the Ram-Ravan legend, it’s only in West Bengal and amongst the adivasis (tribals) that the Goddess is given such pride of place. “It’s the feminine divine that has supremacy here. That’s why Durga is seen as mother, daughter, wife, beloved... It’s common to address daughters, daughters-in-law and grandchildren as maa in our culture, as a synonym for the Mother Goddess herself,” she explains. Perhaps it’s the ‘feminine’ aspect of the puja that sees scores of women across Bengal volunteering as puja committee members. Prashant Bhattacharya, a priest, observes, “The women seem drawn to doing things for the Goddess, they want to be close to her. A special bond seems to develop between the Goddess and ordinary women during this season.”

Making it their own

The sex workers of Sonagachi try to make their puja a little more special with each passing year. Last year they organised an eye-donation camp; this year they looked after the aged in their community. “The elderly, retired sex workers hardly have a good time. This time, we gave them new clothes and served them sumptuous feasts for five days,” says Sudipta De, 37. The elders were also taken pandal-hopping in the city.

Together, the women conduct and participate in all the rituals associated with the puja. Take, for instance, the ‘Sindoor khela’ on the ‘Dashami’ or tenth day during which married women anoint the Goddess with vermilion and then each other, praying for the long life of their spouses. The women of Sonagachi, too, follow this ritual. But with a difference.

“We can never be married in the conventional sense,” reveals Mosumi Chaki, 30, a mother of two living in Sonagachi. “But we bear children. We are mothers, like the Goddess. So we apply sindoor (vermilion) on Mother and pray for the wellbeing of our children as we bid adieu to her. The Goddess allows us to bend the rituals because she is a woman herself. After all, she too has broken many social norms. As Kali, she stepped on the chest of her husband, Lord Shiva. The Goddess Durga stands for justice.” She adds, “It’s this belief and faith that gives us the right to worship her in our own way.”

‘My mother – the Goddess’

Suman Bandhopadhyay (name changed), 20, is a second-year B.Sc. Honours student. For the five days during the pujas, she leaves her college hostel and heads for Sonagachi.

“My mom made my life. She sent me to school and now to college. I have been kept away from the agony of a sex worker’s life. But during the pujas, I insist on being with her. When I pray to the Goddess, I see the face of my mother. No fear of social stigma can keep me away from her during this festive time,” she says.

Suman’s mother, Asha, 50, happens to be the secretary of the Durbar Mahila Samanway Committee, an organisation of sex workers.

“We women stand united. We are fighting for the labour rights of sex workers. We want recognition and acceptance. We are as much a part of society as anyone else. If society can worship the Goddess, so can we. Aren’t we her children? Durga gives us spiritual power. She heals our wounds and broken lives, and gives us the strength to face each day with courage,” she says.

At one level, Durga Puja in Kolkata is a time for the good things of life: new clothes, holidays, travel, great food and pandal-hopping.

In Sonagachi, it is all that, but it is also something more. For the women here, stigmatised by their profession and brutalised by life’s experiences, it is also a time for reflection, a time for absolution, a time to search for sources of inner strength.

Women’s Feature Service

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