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Four components of good business plans


What’s wrong with most business plans? The answer is relatively straightforward, says William A. Sahlman in How to Write a Great Business Plan ( www.tatamcgrawhill.com).

He is aghast that most business plans waste too much ink on numbers and devote too little to the information that really matters to intelligent investors. “As every seasoned investor knows, financial projections for a new company — especially detailed, month-by-month projections that stretch out for more than a year — are an act of imagination.”

The numbers in the business plans should appear mainly in the form of a business model that shows the entrepreneurial team has thought through the key drivers of the venture’s success or failure, explains Sahlman. “In manufacturing, such a driver might be the yield on a production process; in magazine publishing, the anticipated renewal rate; or in software, the impact of using various distribution channels.”

The author advises those who want to speak the language of investors to ensure they have first asked themselves the right questions; in this regard, he prescribes a framework with four factors, viz. the people, the opportunity, the context, and risk and reward.

“When I receive a business plan, I always read the résumé section first. Not because the people part of the new venture is the most important, but because without the right team, none of the other parts really matters,” writes Sahlman.

Prescribed read for enthusiastic entrepreneurs.

Macro-view plus micro-tinkering


Editing is the hard part, says K. Dennis Chambers in The Entrepreneur’s Guide to Writing Business Plans and Proposals ( www.macmillanindia.com ). “Writing the first draft is like a sculptor pressing together giant slabs of clay…simply getting all of your material together,” he analogises. “When you know you have every critical idea on paper, you can relax and start shaping those ideas into something that others will want to read.”

The author observes that good editing requires good tools, such as: an editing checklist (a roadmap to make reading your prose easier), a primer on active versus passive voice, transitions for flow and polish, parallel sentence structures, filtering clichés and other writing pitfalls, and graphics to enhance the reader’s understanding of your ideas.

Editing is far different from proofreading, distinguishes Chambers. “Proofreading is merely the search for errors such as misspellings and improper capitalisations. Editing is essentially starting over by using the raw material of your first draft and reshaping it into a persuasive document. Editing requires a macro-view and micro-tinkering.”

Essential addition to the shelves of those who aspire to write effectively, especially for business needs.

D. MURALI

BookPeek.blogspot.com

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