Ralph Masri Ralph Masri graduated in Bachelors of Art in Jewellery at Central Saint Martin’s College (CSM) in London. He always knew he wanted to be a designer, but it wasn’t until his foundation year at CSM, where he got to experiment in different fields of design, that Masri discovered his love for jewellery and decided to follow that path. Internships at multinational jewellery brands Pomellato and Swarovski in London, helped the young designer hone his skills, accrue business knowledge and understand the importance of marketing, branding and public relations. Another internship, this time under fashion jeweller Scott Wilson, who specialises in ‘catwalk jewellery,’ shaped Masri’s love for statement pieces. “London has especially opened up my mind as a designer and made me think outside the box,” says Masri, who launched his eponymous line three years ago. His jewellery, manufactured in Lebanon — and mostly inspired by architecture and history — has garnered a lot of attention in a short period. The designs are a fusion of Eastern and Western cultures; quite characteristic of his hometown, Beirut. For the Arabesque Deco collection, he drew upon the motifs of ancient Middle Eastern buildings and monuments, while his Sacred Windows collection is inspired by Gothic Cathedrals, arches, windows and stain glass paintings. Of late, Masri has moved away from crafting big statement, chunky pieces to refined, sophisticated eye-catching ones, while his jewellery has become more structured and architectural than before.
Alia Mouzannar Architect Alia Mouzannar’s family (AW Mouzannar) has been in the jewellery business in Lebanon for nearly six generations. She grew up watching her father, Walid, work on unique designs for special pieces. “He taught me that the value of jewellery lay not only in the stones and gold, but in the soul that it embodied, the art it represented and the emotion it conveyed,” remembers Mouzannar, who began designing over ten years ago. Her designs are a creative dialogue between her fresh, unconventional aesthetics and her family’s rich heritage and traditions. “My jewellery is informed by Eastern inspirations and the Western way of life,” says Mouzannar. Modular, brushed gold, combined with diamonds and gemstones, form the narrative of Mouzannar’s design language: the oriental architecture and the moucharabieh patterns of the old windows inspired her Arabesque collection, while the Pom Pom series mirrored the elegant Art Deco period, and represented the power of the talisman in ethnic cultures. Interestingly, the signature Cache transformable rings were born out of her desire to mount a diamond ring — an heirloom piece gifted by her mother-in-law — on a modern wearable shank. Be it necklaces, earrings or rings, the designer makes organic, poetic and flexible jewels in an engaging way. A case in point is her delightful, modular In-Folio earrings that can be worn in a surprising nine different ways. “I tell my clients, ‘if you find any other way, please let me know,” says Mouzannar, who loves to offer women the opportunity to find unique ways to wear her jewellery.
Kamal recently unveiled the V ring stylised around a bridge that holds a pair of diamonds. Another new piece is the Twin ring and, for the first time, she features emeralds. “My client had a pair of emeralds that she wanted to use for a ring. Emeralds are the most beautiful stones; the colour feels intense yet neutral,” says Kamal, who shuttles between London and Beirut, designing minimalistic necklaces, cufflinks, stackable rings and pinky rings all of which are a nod to architecture.
Smitha Sadanandanis a London-based freelance journalist and Co-Editor (International) of KaterinaPerez.com